[et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” hover_enabled=”0″]<\/p>\n
Fender Tweed Bandmaster 5E7 Build<\/p>\n
The Fender Tweed Bandmaster 5E7 (1955\u20131960) wasn\u2019t just another amp\u2014it was Leo Fender\u2019s stealth revolution. Dubbed the “Bassman\u2019s little brother,” this 3×10″ combo packed 26 watts of dual-6L6 power into a narrow-panel cab, delivering earlier breakup, richer texture, and a studio-friendly growl that became the secret weapon of tone connoisseurs.<\/p>\n
Unlike the legendary 5F6-A Bassman, the 5E7 used a cathodyne phase inverter (like the tweed Deluxe) and smaller output transformer, producing softer lows and quicker, vocal-like distortion. Combined with lower plate voltage (~410V vs. Bassman\u2019s 430V), it traded headroom for “sweet, singing” breakup at stage-friendly volumes.
Purists long believed its 3×8\u03a9 Jensen P10R speakers demanded a 2.67\u03a9 output transformer. Reality? Fender used the same 4\u03a9 OT as the 2×10″ Super\u2014deeming it “close enough.” Leo\u2019s pragmatism birthed a slight mismatch that ironically enhanced its woody midrange sag <\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/www.vintagevibe.co.nz\/wp-content\/uploads\/2025\/07\/2014-01-16-14.01.24-scaled.jpg” title_text=”2014-01-16 14.01.24″ _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_image][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” hover_enabled=”0″]<\/p>\n
Picture taken just after the Gold shellac has been done.<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/www.vintagevibe.co.nz\/wp-content\/uploads\/2025\/07\/2015-02-25-15.49.26-scaled.jpg” title_text=”\u00f8;” _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_image][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” hover_enabled=”0″]<\/p>\n
Chassis mounted and first play<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_image src=”https:\/\/www.vintagevibe.co.nz\/wp-content\/uploads\/2025\/07\/2015-02-25-15.48.00-scaled.jpg” title_text=”\u00f8;” _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_image][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_gallery gallery_ids=”1835,1836,1837,1838″ show_title_and_caption=”off” show_pagination=”off” _builder_version=”4.5.3″ _module_preset=”default”][\/et_pb_gallery][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” hover_enabled=”0″]<\/p>\n
Stages of the amp cabnit build<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
[et_pb_section fb_built=”1″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_row _builder_version=”4.5.3″ _module_preset=”default”][et_pb_column type=”4_4″ _builder_version=”4.5.3″ _module_preset=”default”][et_pb_text _builder_version=”4.5.3″ _module_preset=”default” hover_enabled=”0″] Fender Tweed Bandmaster 5E7 Build The Fender Tweed Bandmaster 5E7 (1955\u20131960) wasn\u2019t just another amp\u2014it was Leo Fender\u2019s stealth revolution. Dubbed the “Bassman\u2019s little brother,” this 3×10″ combo packed 26 watts of dual-6L6 power into a narrow-panel cab, delivering earlier breakup, richer texture, […]<\/p>\n","protected":false},"author":2,"featured_media":1839,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"categories":[17],"tags":[],"class_list":["post-1869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-amplifiers_studiogear"],"_links":{"self":[{"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/1869","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1869"}],"version-history":[{"count":6,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/1869\/revisions"}],"predecessor-version":[{"id":1994,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/posts\/1869\/revisions\/1994"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=\/wp\/v2\/media\/1839"}],"wp:attachment":[{"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1869"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1869"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.vintagevibe.co.nz\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1869"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}